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Pregnancy Machine_002

30 x 45 x 2.5 cm | Photography | 2017
gicleé print on dibond plat
Description
"PREGNANCY MACHINE Our objects, our inventions support us in the future. We are expanding our technical tools to extend our capabilities to free ourselves from work. But are we able to keep a balance? Can not our machines slowly replace us? Do not we become increasingly unnecessary with our ever-evolving technologies? Can any human ability be replaced by machines? Do we know what to do with our time and energy? Will we find goals instead of our work transferred to machines? With my fictitious machines, I would like to show you the fear that we may, through the self-outsourced capabilities of our machines, develop ourselves backwards, become frustrated and depressed by the lack of real human presence."
240

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Born: 1993
Budapest
Hungary

member since: 2018

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Oxána Sztrehalet is an artist of Russian origin. She graduated from the Secondary School of Visual Arts in 2011. She started her studies at the Media Art Institue Faculty of Arts University of Kaposvár in 2013, where she graduated in 2016. She is currently a master student at Moholy-Nagy University of Art and Design Budapest, Hungary.

The effects of personality, self-knowledge and personal past are the subjects that she has embraced over the years. In her series, she raises questions not only about herself but the world around her as well. In her work, the subject of womanhood, the essence of womanhood, is a common topic.

Her photographs approach most of the questions from a psychological point of view. In many of her works she uses her own body the create images. These images aren’t just photograps but body arts and performance arts aswell. She says: “The most matter-of-course medium to interpret the world end to express my feelings is my own body”

For the female figure of Oxána Sztrehalet’s work, the pain of the past is as much weight as the punishment imposed by the Gods for some of the personas of Greek mythology. The visual and artistic processing of their own body and childhood stories, their revelation not only helps the creator to understand and answer the problems, but many can identify with them. “ /Sándor Áron Károly/

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