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Ex Futura_002

50 x 80 x 2.5 cm | Photography | 2017
gicleé print on dibond plat
"EX FUTURA In the mathematical formula of the humankind the unknown number is the human itself. This fact makes us to try to describe ourself again and again because human being is endless questioning and doubting. In my photo seria I created ‘tarot cards’ to predict the future. On my images the archetipes of the future like ‘the infant’ ‘the vulnerable’ and ‘the anxious’ are visible. These sense based caracters comes from my empiric feelings of being today’s youth. The youth wich grown up in the illusion of endless opportunities and in a permanent war with itself. This generation denies all the old religions, but always looks for new spiritual connections. The new God is nameless and faceless like we are in this global individualist era. The new identity is not based on the harmony of body and soul duo but the the trio of body, soul and the virtual persona. I think if I would like to predict the future, at first I have to try to describe the generation wich will make the big decissions in the future. In this photo seria I tried to summarize the everyday emotions of my generation."

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Born: 1993

member since: 2018


Oxána Sztrehalet is a Russian artist. She graduated from the Secondary School of Visual Arts in 2011. She started her studies at the Media Art Institute, Faculty of Arts University of Kaposvár in 2013, from where she graduated in 2016. She is currently doing her masters degree at Moholy-Nagy University of Art and Design Budapest, Hungary.

The effects of personality, self-knowledge and personal pasts are the subjects that she has explored over the years. In her series, she raises questions not only about herself but the world around her. In her work, the subject and essence of womanhood is a common topic.

Her photographs deals with questions from a psychological point of view. In many of her works she uses her own body the create images. These images aren’t just photographs, but considered to be forms of body art or performance art. She says: “The most matter-of-course medium to interpret the world end to express my feelings is my own body”

For the female figure of Oxána Sztrehalet’s work, the pain of the past is as much present as the punishment imposed by the Gods for some of the personas of Greek mythology. The visual and artistic processing of her own body and childhood stories, not only helps the creator understand and answer the problems, but it also helps the observed to identify with them. “ /Sándor Áron Károly/


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