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Elections2018_004

30 x 45 x 2.5 cm | Photography | 2018
gicleé print on dibond plat
Description
"In Hungary, the period before the 2018 parliamentary elections showed very clearly what the Hungarian people was really like: proud of its tragedies and fears. Hunary is stil determined by the legacy of the proletarian dictatorship, and unfortunatelly the change of regime is not a fres professional upbeat, but rather a creative destructive attitude brought to society. In my series, inspired by political posters, I use the help of white ""poster"" and a female body to outline the characteristics and character of post-Soviet Hungary. The character in which the opposite of everything is true as well, where there are no arguments, only the accusation of the other lying and the one which sees conspiracy in everything. "
240

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Born: 1993
Budapest
Hungary

member since: 2018

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Oxána Sztrehalet is an artist of Russian origin. She graduated from the Secondary School of Visual Arts in 2011. She started her studies at the Media Art Institue Faculty of Arts University of Kaposvár in 2013, where she graduated in 2016. She is currently a master student at Moholy-Nagy University of Art and Design Budapest, Hungary.

The effects of personality, self-knowledge and personal past are the subjects that she has embraced over the years. In her series, she raises questions not only about herself but the world around her as well. In her work, the subject of womanhood, the essence of womanhood, is a common topic.

Her photographs approach most of the questions from a psychological point of view. In many of her works she uses her own body the create images. These images aren’t just photograps but body arts and performance arts aswell. She says: “The most matter-of-course medium to interpret the world end to express my feelings is my own body”

For the female figure of Oxána Sztrehalet’s work, the pain of the past is as much weight as the punishment imposed by the Gods for some of the personas of Greek mythology. The visual and artistic processing of their own body and childhood stories, their revelation not only helps the creator to understand and answer the problems, but many can identify with them. “ /Sándor Áron Károly/

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