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Stranded

| Photography | 2016
not framed | not signed | ed. no.:
Description
In 2015 (2072) Nepal was destroyed by two powerful earthquakes. The first one measuring 7.8 on the Richter scale struck on 25 April, another 17 days later, i.e. on 12 May. These earthquakes killed nearly 9,000 people, destroying over 600,000 homes. After more than year and a half the Nepalese are still struggling with the aftermath of this tragedy. Just after the disaster, 200,000 rupees (about 2,000 U.S dollars) were promised by the government to each family who lost their home. However, in March 2016 a small number of people received only 50,000 rupees (500 U. S dollars). Many earthquake victims are still living in temporary wooden shelters with corrugated iron roofs, which are their only protection during the monsoon season. The residents of Gorkha District, near the epicentre of the earthquake, are still uncertain of their future. Many survivors have lost everything they owned, and on top of all that, they have lost their families and friends. But some are trying to rebuild their homes on their own, taking materials from the destroyed houses. The elderly are helpless because they are not able to build a new home on their own at their age.
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Szymon Barylski

born: 1984
Galway
Ireland

Works sold here: 0
since: 2018

Szymon Barylski is a Polish photographer, currently living and working in Ireland. Barylski works primarily with documentary photography, which he considers a device to explore and better understand the world around us. Barylski began as a street and travel photographer but developed a real affection for documenting the stories of the people he encountered along the way. He wants, above all, for his images to tell a story and to reflect the relationship that he has formed with his sitter. The places in which he captures these portraits provide the emotional backdrop for these personal histories to unfold. Usually, Barylski works alone, spending time getting to know his subjects and forming connections with them, so as to better engage with their realities. For him a good photograph comes from good research. His preparation for each project is rigorous, spending time researching the subject online then seeking inspiration in the work of other photographers in order to present a narrative that is both personal and universal.